#MOTIONVFX MFLARE TRACKING TUTORIAL PRO#

If it’s too dark, it will be purple.Įach package also offers more than 60 color presets and the ability to preview your LUTs.Īnother perk of this plugin is that it is compatible with Final Cut Pro X, Premiere Pro, and DaVinci Resolve on the Mac. So if a shot is overexposed, this area will be red. If you’re looking for an easier way to grade your images, the Cinema Grade plugin offers various capabilities and presets in the Basic, Pro, and Filmmaker tiers.Īn interesting feature that’s available with any of these packages is “False Colors.” With this tool, you can see the varying luma values in your footage. This plugin is compatible with Final Cut Pro. If this is your first foray into 3D animation, the 3D Perspective Plugin 2 might be a good tool for you to invest in - especially since it doesn’t have a steep learning curve and is easy to use in post-production. The 3D Perspective Plugin 2 is one of the most affordable and beginner-friendly options in our list. For 3D Animation: 3D Perspective Plugin 2 This plugin is compatible with Apple Motion and Final Cut Pro.Ĥ. If you want to add new elements to your footage - such as text, graphics, or animation - you can do this seamlessly by choosing from a variety of tracking presets.

Whether you’re producing YouTube videos, films, or corporate advertisements, the Motionvfx mTracker 3D plugin allows for blockbuster-worthy automated 3D tracking. In no particular order, here are our top picks for FCP plugins: 1. This guide outlines 7 Final Cut Pro (FCP) plugins that can help you expand your video editing capabilities.įor our Premiere Pro folks, we’ve highlighted which plugins are compatible with Adobe systems, so there’s some value here for you too. In lieu of a sitdown conversation with an Oscar-winning video editor like Schoonmaker, you can (and probably already do) use plugins to step up your video editing game. And it can make you question your own judgement on which clip stays and which one goes. If you were only part of a film’s audience - and completely removed from the production process - you might nod in agreement and leave it at that.īut if you, as a fellow video editor, were on the other end of this conversation with Schoonmaker, you’d lean in and want to know everything she was willing to tell you about the how of it all.īecause, as you know firsthand, so much relies on video editors in post-production.Īfter weeks of strategic planning and filming, you have a mass of audio and video material to sort through, cut, edit, and finalize.

You're supposed to feel that a film has pace and rhythm and drama, but you're not necessarily supposed to be worried about how that was accomplished.” “There's a great deal of mystery in film editing, and that's because you're not supposed to see a lot of it. In an interview with FILM COMMENT, American film editor Thelma Schoonmaker shared her perspective on the post-production process:

Motionvfx mflare tracking tutorial